SOUTH WAYNE HISTORIC DISTRICT

Although local historic designation is completely independent of the National Register of Historic Places, most of Fort Wayne's Local Historic Districts are also listed on the National Register. Districts such as The Landing, West Central, and Williams Woodland Park, for example, are all National Register districts. The South Wayne Historic District is an example of a historic district which is currently listed only on the National Register of Historic Places.

Notable as a neighborhood which illustrates the expansion of Fort Wayne in the early 20th century and for its outstanding collection of early 20th century domestic architecture, the South Wayne Historic District was listed on the National Register of Historic Places in 1992. Most of the area which comprises the South Wayne Historic District was once part of an 80 acre tract operated as a county farm between 1848 and 1853. When the farm was divided and sold, a few houses were built but the area remained rural in character. One of the best known of the country estates built in the area was that of Judge Lindley M. Ninde, who in the 1860's, built an impressive house known as "Wildwood" on Fairfield where the present Lutheran Center for Health Services is located.

The establishment of the Packard Piano and Organ Company on Fairfield Avenue in 1872, led to increased development and population growth in the area. Eventually a movement was formed to incorporate South Wayne as a town. After a lengthy court battle with the City of Fort Wayne which wanted to annex the area, the State Supreme Court ruled in favor of South Wayne and the town was incorporated in 1889.

Fort Wayne eventually succeeded in annexing South Wayne in 1894, bringing with it streetcar lines, utilities, and a new school. The annexation, coupled with growing industrial development, led to increased residential interest.

During the early 20th century Fort Wayne began to experience unprecedented growth, becoming one of the three largest cities in Indiana. As the city grew more dense and industrialized, and as transportation options broadened, those who could afford to moved to new "suburban" neighborhoods with larger, landscaped lots. In the South Wayne district, 80% of the homes were constructed between about 1910 and 1920 and another 15% constructed between 1920 and 1930. Craftsman, Colonial Revival, and American Foursquare are the dominant architectural styles. Consistency among the houses in terms of style, scale, materials, setback, and other character-defining features creates a pleasing rhythm along the district's streets.

One of the developers, and residents, of the district was Lee J. Ninde, a prominent Fort Wayne realtor whose wife, Joel Roberts Ninde, designed at least 16 of the homes in the neighborhood.

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Other notable early residents include: Guy Mahurin, a prominent local architect who resided at 927 W. Wildwood; Charles Worden, a lawyer, banker, and Civic Improvement Association president who lived at 1022 W. Wildwood; Charles Lane, a Fort Wayne newspaper man and Commercial Club director who was active in state and national politics and resided at 917 W. Wildwood; and Senator Homer Capehart who located his phonograph company in Ft. Wayne in 1929, and lived at 709 Packard Avenue.

Joel Roberts Ninde, 1874-1916

Designing homes that were "pleasing to the eye, economical, convenient, and efficient", Joel Ninde became one of the most popular early twentieth century architects in Fort Wayne. A woman with no formal architectural training, Mrs. Ninde designed her first house for her husband, attorney Lee J. Ninde, and herself after refusing to live in the family estate "Wildwood" with its dark and drafty rooms. Her innovative design became noticed and sold rapidly. The same thing happened with her second house. Eventually Lee Ninde gave up his law practice and in 1910, formed a real estate and construction firm called the Wildwood Builders Company, establishing Joel and her partner Grace Crosby, as designers and construction supervisors. Joel Ninde created designs adaptable to any budget, depending on the choice of materials and features desired, and favored the clean lines of the Colonial Revival and Craftsman styles over frilly, gingerbread ornamentation. In 1914, the Indianapolis News reported that she had designed and built over 300 houses. The Wildwood Magazine, published by the company between 1913 and 1917, was a nationally known publication on the subjects of architecture, city planning, and interior design. Ms. Ninde died of a stroke in 1916 at age 42.

Although examples of her work ranging from modest cottages to large brick homes survive in various parts of the city, the South Wayne Historic District contains the largest concentration of Ninde's work. The following list comprises known Ninde houses within the district: 701, 702, 706, 710, 722, 726, 810, 814, 818, 902, 912, 922, 926, 1002, 1018, and 1025 Wildwood Avenue and 3131 South Wayne Avenue.

South Wayne Historic District Individual Properties

1. Charles & Glenne Weirich House
   (Joel Ninde, Architect)
   722 W. Wildwood Ave.
   Dutch Colonial Revival, c1912
   
   Easily identified by the prominent gambrel roof, this quaint home with its casement windows and bracketed entry hood, is a rare example of a Dutch Colonial design by Joel Ninde.

2. 809 W. Wildwood Ave.
   American Foursquare, c1915
   
   American Foursquare homes are characterized by their 2 story box-like shape, hipped roof with central dormer, and comfortable porch. Note the box bay window on the second floor and abundance of leaded glass in this beautiful example.

3. Lee & Joel Ninde House
   (Joel Ninde, Architect)
   902 W. Wildwood Ave.
   Colonial Revival, 1910
   
   Joel Ninde designed this stuccoed Colonial home for herself. The balanced facade features a Palladian window over the entry and a columned portico flanked by open pergolas. After Joel's death in 1916, the home was purchased by author Gene Stratton- Porter for her daughter.

4. Clyde Meyers House
   (A.M. Strauss, Architect)
   921 W. Wildwood Ave.
   Craftsman, c1925
   
   The Craftsman style placed a new emphasis on simplicity of design, honesty in construction, and fine craftsmanship. These qualities are all expressed in this homes' wood shingled walls, groups of multi-pane windows, unusual porch piers, and decorative brackets and vergeboards at the eaves. Clyde Meyers was a barber with Shuman & Meyers.

5. Clarence & Clara Bicknell House
   (Joel Ninde, Architect)
   1025 W. Wildwood Ave.
   Craftsman, c1915
   
   Mr. Bicknell was secretary/treasurer for the News Publishing Co. The design of this house was featured in the summer 1915 issue of the "Wildwood" magazine. This home features a symmetrical facade highlighted by an oriel window over the entry and a bright red tile roof.

6. Theo Frank House
   1030 W. Wildwood Ave.
   Craftsman, c1915
   
   This picturesque home was the residence of Theo Frank, president of the Frank Dry Goods Company. The irregular character of the house is emphasized by its rough textured walls, variety of multi-pane windows, small dormers, and elliptically arched, asymmetrically placed entry.

7. Miles & Flora Frysinger House
   1024 Kinnaird Ave.
   Neoclassical, c1925
   
   The Neoclassical style of this house is evident by the full height entry portico with its fluted Ionic columns and classical moldings. The enclosed solarium at the west end of the house is balanced by the porte cochere on the east.

8. Dr. Charles & Helen Meigs House
   (John Wing, Architect)
   1020 Kinnaird Ave.
   Eclectic, c1912
   
   Stylistically, this brick home is the most unusual house in the district. The unique design combines elements from a variety of styles and features a long hipped roof with bracketed eaves, an arcaded, recessed porch with a pergola entry, and a variety of windows including two oriels on the second floor flanking a pair of small, arched sash. Dr. Meigs advertised as an "Eyesight Specialist" with the slogan, "See Meigs and See Right".

9. 1010 Kinnaird Ave.
   Colonial Revival, c1925
   
   This large home is a classic example of Colonial Revival architecture. The balanced facade features a central portico with paired columns and delicate iron work, sheltering the doorway with its arched fanlight and sidelights. The shutters add strength and detail to the symmetrically placed windows.

10. Dr. Kent & Anna Wheelock House
    922 Kinnaird Ave.
    Colonial Revival/Craftsman, c1915
    
    With its asymmetrical facade and variety of detailing this home departs from the typical Colonial Revival design. Located at the west end of the house, the entry portico and porte cochere feature slender Tuscan columns. The shed dormer, box oriel, and grouping of windows are somewhat Craftsman in character.

11. 909 Kinnaird Ave.
    American Foursquare/Prairie, c1925
    
    An extremely popular style, the American Foursquare was considered the best blend of practicality, simplicity, and value, with open efficient plans utilizing all available space. The deep, flat eaves and broad, welcoming porch with massive square piers, reflect the horizontal emphasis commonly found in the Prairie style of architecture.

12. Harry & Florence Lydick House
    803 Kinnaird Ave.
    Craftsman, c1915
    
    From the exposed rafters, knee braces and decorative vergeboards at the eaves to the wood shingle siding, multi-pane windows and battered porch posts, the Lydick house is a pure example of the Craftsman style. Mr. Lydick was employed at the Frank Lydick Cigar store.

13. 717 Kinnaird Ave.
    Craftsman/Swiss, c1915
    
    Although possessing the wide eaves, exposed rafters, and knee braces common to the Craftsman style, the center balcony of this home, protected by its own pent roof, shows a Swiss influence. The two leaded-glass cameo windows on the second floor are another unusual feature.

14. 701 Kinnaird Ave.
    Craftsman, c1910
    
    With its broad, side-gabled roof, central shed dormer, and wide, recessed porch supported by heavy, battered piers, this house represents the classic Craftsman bungalow. The strength, and honesty of the style is further illustrated by the shingled walls, knee braces, and sturdy porch balustrade.

15. Joseph & Elizabeth Berghoff House
    (Joel Ninde, Architect)
    3131 South Wayne Ave.
    Craftsman, c1915
    
    This one-story bungalow combines rough textured stucco walls with a rubble stone porch and chimney, to illustrate the Craftsman emphasis on natural materials. Mr. Berghoff was manager of the American Trade-Mark Association.

16. Carl and Katherine Goebel House
    701 Packard Ave.
    Eclectic, c1925
    
    This unusual brick home shows both Craftsman and Mediterranean stylistic influences with its green tile roof, modillions under the eaves, and decorative muntin pattern in the upper sash of the windows. Carl Goebel was a chiropractor.

17. 714-16 & 718-20 Packard Ave.
    Tudor Revival, c1930
    
    Although they appear to be single family homes, these Tudor style houses were built as duplexes. Both feature the steep roofs, sharp gables, and arched doorways characteristic of the style. Fine detailing is evident in the decorative brick and stone work, and the arched eave line on 718-20.

18. Doehrman/Jackson House
    810 Packard Ave.
    Craftsman, 1918
    
    The stucco and half-timbered decoration in the gables adds extra interest to this fine home. The front solarium with its walls of narrow casement windows is an outstanding feature. Mr. Doehrman was an agent with the City and Suburban Building Co. In 1940 the house was purchased by Edward Jackson, a research chemist.